Affichage des articles dont le libellé est Louisa Lim. Afficher tous les articles
Affichage des articles dont le libellé est Louisa Lim. Afficher tous les articles

lundi 3 juin 2019

After Tiananmen, China Conquers History Itself

Young people question the value of knowledge, a victory for Beijing 30 years after the crackdown on student protests.
By Louisa Lim

I was giving a talk about Tiananmen Square’s legacy at an Australian university about two years ago when a young Chinese student put up her hand during the question-and-answer session. 
“Why do we have to look back to this time in history?” she asked. 
“Why do you think it will be helpful to current and nowadays China, especially our young generation? Do you think it could be harmful to what the Chinese government calls the harmonious society?”
She wasn’t challenging the facts of what had happened on June 4, 1989. 
She was questioning the value of the knowledge itself. 
In the years since I wrote about Beijing’s success in erasing the killings of 1989 from collective memory, I’ve often heard Chinese students defending the government’s behavior as necessary. 
But this argument was different. 
The student was deftly sidestepping her government’s act of violence against its own people, while internalizing Beijing’s view that social stability trumps everything else. 
At the end of the talk, a second Chinese student came up to ask whether the very knowledge of June 4 could be dangerous to “our perfect society.”
For the 660,000 Chinese students overseas, stumbling across these hidden episodes in their country’s history for the first time can be extraordinarily discombobulating, as if the axis of the world has suddenly shifted out of whack. 
For some, such discoveries are so disturbing that it is easier to discount them as Western conspiracies designed to undermine the Communist Party.
These overseas students are part of China’s post-Tiananmen generation, raised in the era of patriotic education, which emphasizes China’s century of national humiliation at the hands of the Western powers. 
History has become an ideological tool, with certain episodes celebrated for showing the party’s best version of itself, while others are rooted out and erased. 
The narrative that runs throughout this discourse is China’s modern-day renaissance, driven by its refusal to be bullied by outside powers. 
All of this is in the ultimate service of legitimizing the current leadership.
One version of this national story of rejuvenation is embodied by today’s popular heroes, especially businessmen like Jack Ma, the founder of Alibaba, one of China’s biggest companies.
He grew up poor and learned English by giving free tours to foreign tourists, embodying a rags-to-riches tale that mirrors the country’s economic rise.
Another version is personified in the traditional Communist heroes whose exploits fill schoolbooks. The so-called Five Heroes of Langya Mountain, for example, were members of the Eighth Route Army in 1941 during the Japanese occupation of China. 
Facing capture by the Japanese, they instead chose to jump off a mountain, and three lost their lives. When a historian questioned this legend recently and was sued, the court decided against him, finding that the national sentiments and historical memories reflected in this story were important components of modern China’s socialist core values. 
History, in other words, is used explicitly for political ends, and historical research can be seen as defamation.
In this state-approved narrative, there is no place for the People’s Liberation Army’s act of opening fire on its own people. 
And the battle over the memory of 1989 is now a global one, waged in classrooms, in print and online. 
Academic journals and tech companies have censored June 4-related content. 
Whether this happens under direct pressure from Beijing or as a pre-emptive act of self-censorship for commercial reasons hardly matters anymore. 
In one recent case, a Chinese online education company that employs 60,000 teachers in the United States and Canada sacked two American teachers for discussing Tiananmen and Taiwan with their students in China. 
And as Chinese companies acquire news media overseas, they have direct levers over sensitive issues like the Tiananmen anniversary and human rights coverage more broadly.
In some ways, indoctrinating China’s young people with a utilitarian view of history is an even more powerful tool than censorship itself. 
When people accept that history must serve the interests of the state, they become closed off to the spirit of academic inquiry or even idle curiosity.
There are still, of course, young people whose independence of mind is stronger than Beijing’s ideological education. 
Occasionally, some will sidle up to me after a talk and quietly ask what they can do with this new knowledge weighing them down. 
One stood up in front of a room of Americans and declared: “I spent 18 years of my life in China, and I realize now that I know nothing about my own country’s history. I went to the best schools, the most well-regulated schools, and I know nothing about anything.”
While all countries construct their own national narratives, few manage to rival the power of China’s deeply emotive patriotic nationalism and its unquestioned ability to punish those who publicly question the official version of history.
The danger is that these tactics are so effective that China’s history is splitting in two: the Communist Party’s narrative at home, and other, more nuanced versions overseas. 
That divide may prove impossible to mend.

vendredi 29 mars 2019

China Is Burning Books Again

Censors are on the lookout for political mistakes—even in print runs for foreigners.
BY AMY HAWKINS

Books about Chinese dictator Xi Jinping are displayed at the Beijing International Book Fair in Beijing on Aug. 23, 2018. 

The year is 1925, and Shanghai is in flux. 
Communists, Nationalists, and Triad gangsters are all fighting for control of this vice-laden city, and one “preeminent bon vivant,” Victor Sassoon, is fighting to keep evil at bay. 
Almost a century later, however, on China’s south coast, Sassoon is burnt to a crisp, a victim of the government’s ever-tightening restrictions on the imaginative world.
Victor Sassoon was a real person—but he’s also the hero of The Sassoon Files, a roleplaying game supplement (think Dungeons and Dragons) designed by Jesse Covner and Jason Sheets, two Americans living in Japan. 
Last week, via a recorded video message, Covner broke the news to their 511 followers—who had crowdfunded $24,183 to make the book a reality—that the entire print run of The Sassoon Files had been destroyed by the factory in Guangzhou contracted to fulfil the order. 
A government official had visited the manufacturer and ordered that all the books be destroyed within 24 hours, even though they were scheduled to be shipped directly overseas, with no plans for sale to the Chinese market. 
“I couldn’t believe what I heard,” lamented Covner. 
“I’d never heard of China’s government getting involved with printing issues for export to foreign markets.”
The Sassoon Files is the latest casualty of the Chinese government’s ever-increasing political paranoia and determination to control the global narrative. 
Whether it’s demanding that Cambridge University Press censor its offerings in China, grooming foreign journalists, or expanding its infiltration of Western newspapers with inconspicuous supplements from the state-run China Daily, Beijing’s propaganda drive has gone from the defensive to the offensive.
As the journalist Louisa Lim and researcher Julia Bergin have argued, the Chinese Communist Party has embarked on an “aggressive drive to redraw the global information order.” 
Part of this drive is controlling what can and can’t be produced in what used to be the world’s workhouse, regardless of who the intended audience is, or of the commercial consequences. 
The printing industry in China is worth about $93 billion—making up more than 10 percent of the worldwide total, and second only to the United States.
Jo Lusby, a former CEO of Penguin Random House North Asia who now runs her own publishing consultancy in Hong Kong, stresses that rules about what printers in China can print have always been in place, and those with a license to print foreign ISBNs know that they will face extra administrative hurdles and scrutiny. 
“It’s like trying to print a T-shirt that says ‘Free Tibet’ in China—that factory would get shut down,” she explained. 
Industry veterans have navigated these murky waters for a long time. 
What has changed, though, is the expanding list of topics deemed sensitive.
Earlier this year, this list was put in writing for the first time and circulated among publishers. 
Its scope is farcical: As well as widely known sensitive subjects such as Tibet, Taiwan, and the Tiananmen Square massacre, any mention of any political figures whatsoever is verboten. 
Lusby said that even the phrase “Deng Xiaoping-era policies,” a common proxy term for the reform and opening up of China that began in the 1980s, has been flagged before.
This rule is where The Sassoon Files faltered—one of the options in the game is to work as a secret agent for Zhou Enlai, Mao Zedong’s second in command. 
“The cultural department examined the books and found some false reports about the men of Chinese history, so did not allow us to print [them] and ordered us to destroy the books,” a spokesperson for China Seven Color Group, the factory used by Covner and Sheets, told Foreign Policy. 
Covner and Sheets declined to comment, citing security concerns for their friends and colleagues in China.
It is not just newcomers who have had print runs scuppered by China’s censorship laws. 
Last year, the Australian publishing house Hardie Grant was forced to abandon two book projects after its Chinese suppliers refused to cooperate. 
Both issues were cartographical: In one book, the font used for Taiwan on a hand-drawn map was the same size as that used for China, which was “unacceptable,” they were told; the other book, a children’s atlas, showed a hard border between China and Tibet. 
Maps are a particular shibboleth in China, where “incorrect” images are regularly destroyed.
Sandy Grant, Hardie Grant’s co-founder, said that he hadn’t anticipated any problems, given that neither book was pegged for release in China. 
Still, the publisher tried to find workarounds. 
But when the illustrator of the Taiwan map refused to compromise on the design, and color printers for the children’s atlas in other countries were too expensive, both books had to be dropped. 
“We don’t want to change what we do,” Grant said, “but anything that requires international mapping we will [now] not do or look at very carefully.”
Grant believes the result of China’s demands is that self-censorship “is not just a risk in the industry—it is prominent.” 
As in many other sectors, such as technology, aviation, and film, publishers around the world are having to consider how far they are willing to capitulate to China’s view of the world in order to exploit its economic offerings. 
In the case of publishers, though, it is not about reaching a Chinese audience—it is about what version of China to communicate to the rest of the world. 
For Lusby, the issue of self-censorship is not clear-cut, although she conceded that it can “creep in” in the “tiny judgement calls” that publishers are forced to make over, for example, whether Taiwan should be listed as a separate country. 
Major academic publishers have already conceded to censoring for the Chinese market, if not the global one.
Any publisher has to consider the cost of printing in order to be commercially viable. 
Cheap black-and-white printing is available worldwide, but China still has a market edge when it comes to color or other special features—one publisher estimates that it is 40 percent cheaper to print books in China than it is in North America. 
This could change, though, as publishers feel less confident about investing resources into print contracts that could fall through at the last minute or be subject to lengthy delays. 
Printing is where “the commercial meets the political,” Lusby said, adding that rising labor costs in China and delays caused by factories being forced to close because of air pollution reduction targets have meant that Chinese printers are becoming less competitive.
What is certain to make Chinese printers less competitive is book burning. 
China Seven Color Group said that The Sassoon Files was the first time that it had been forced to take destructive action—a technique once common in the bonfires of the Cultural Revolution.
Publishers might be willing to put free speech concerns aside for the sake of profit, but if Chinese printers are forced to bear the brunt of the government’s obsessions, they’ll pay a sharp price.

lundi 23 juillet 2018

Not Feeling Safe in China

“China has reached a point where I do not feel safe being a professor and discussing even the economy, business and financial markets.”
By Elizabeth Redden
Christopher Balding, who successfully lobbied Cambridge University Press to unblock articles it censored at Beijing’s request, does not feel safe as a professor in China

An American professor who lost his post at a Chinese university is now leaving China, citing concerns about his personal safety.
“China has reached a point where I do not feel safe being a professor and discussing even the economy, business and financial markets,” Christopher Balding wrote in a blog post about his departure from Peking University HSBC Business School, in Shenzhen, and his subsequent decision to leave China.
Balding has a prolific presence on Twitter, which is blocked in China, and frequently appears in the media commenting on issues related to the Chinese economy, including as a television commentator for Bloomberg and in opinion pieces for Bloomberg and Foreign Policy. 
In August of last year, Balding spearheaded a petition calling on Cambridge University Press to resist the Chinese government’s demand that it censor articles in the China Quarterly journal. (Cambridge originally assented to the government’s request to block access to hundreds of journal articles in mainland China, but reversed course after coming under heavy criticism from academics like Balding.)
Balding could be sharply critical of the Chinese government, tweeting in recent weeks about China's human rights record and the threat he sees Beijing as posing to the liberal world order -- subjects he also addressed in the blog post about his departure.

Capitalist Roader Balding@BaldingsWorld
Maybe it isn't the fact that China is developing economically, but the fact that China is an illiberal authoritarian regime who has no respect for human rights
Replying to @LunaLinCN: Some countries are alarmed, challenged and traumatised by the speed of China’s rise.@
8:15 AM - Jul 14, 2018
117
47 people are talking about this


Capitalist Roader Balding@BaldingsWorld
Beijing has made it clear for sometime it wants to do away with the liberal international order. Continued multilateral steps toward openness and respect for human rights are dead if you accept the Chinese vision. Trump in history will be a blip. Focus on what matters
Abigail Grace@abigailcgrace: Biggest takeaway from the Central Work Conference? China is publicly indicating that it will now advance “major power diplomacy” on its own terms. http://www.fmprc.gov.cn/mfa_eng/zxxx_662805/t1571296.shtml …
3:47 AM - Jun 26, 2018
23
23 people are talking about this


In his blog post, Balding said the HSBC Business School informed him in early November -- not long after the Cambridge University Press petition -- that it would not renew his contract. 
He did not specify the reason his contract was not renewed but made clear in his blog post that he believes it was different than the “official” reason he was given.
“Despite technical protections, I knew and accepted the risks of working for the primary university in China run by the Communist Party in China as a self-professed libertarian. Though provided an 'official' reason for not renewing my contract, my conscience is clean and I can document most everything that demonstrates the contrary should I ever need to prove otherwise. I know the unspoken reason for my dismissal. You do not work under the Communist Party without knowing the risks," Balding wrote.
HSBC Business School's media office did not respond to requests for comment. 
However, the dean of the business school, Hai Wen, told The Wall Street Journal that an evaluation of Balding found “poor” performance in teaching, research and other areas. 
The dean said that Balding's dismissal was a “normal academic employment decision.”
Balding declined to elaborate about the circumstances of his dismissal, but said via email, "I think the academy should be increasingly concerned about the silencing of opinions of Chinese and foreign academics working in China."
"Having enjoyed my time in China with wonderful research opportunities, I think my record of professional advancement during my tenure at the HSBC Business School of Peking University as well my impactful research across a variety of topics and channels speaks for itself. My standards in the classroom were drawn from the highest quality syllabi, requirements for student work and honesty, which I will continue to stand behind. I will always think back with fondness to this time."

The Climate for Foreign Scholars in China

Balding’s departure comes at a time of increasing concern about a crackdown on academic freedom in China and a continuing shrinking of the space for critical academic discourse. 
Still, Balding’s blog entry is striking for the degree to which he -- as an American academic employed by a Chinese university -- expressed fear for his physical safety.
”One of my biggest fears living in China has always been that I would be detained,” he wrote. ”Though I happily pointed out the absurdity of the rapidly encroaching authoritarianism, a fact which continues to elude so many experts not living in China, I tried to make sure I knew where the line was and did not cross it. There is a profound sense of relief to be leaving safely knowing others, Chinese or foreigners, who have had significantly greater difficulties than myself. There are many cases which resulted in significantly more problems for them. I know I am blessed to make it out.”
Louisa Lim, a senior lecturer in journalism at the University of Melbourne and author of the book The People’s Republic of Amnesia: Tiananmen Revisited, described Balding’s case as "the latest in a series of worrying developments regarding constraints upon foreign academics working in, or on, China."
"Over the last couple of years, we have heard reports of surveillance, harassment and intimidation, including the weeklong detention of the Australian Chinese professor Feng Chongyi" in spring of 2017, Lim said via email. 
"I co-host a podcast, The Little Red Podcast, and we had an episode on the intimidation and harassment of academics where we interviewed a Ph.D. candidate at the University of Melbourne, Dayton Lekner, who spent some time in China researching the 1957-1959 Anti-Rightist movement, and was subject to a police interrogation on his research."
“That a junior scholar should be subjected to such outright intimidation shows the granular nature of state surveillance of foreign academics. In that episode, we also made an open callout for academics to get in touch with their stories, and we did hear from academics working in fields similar to Christopher Balding's who expressed their fears regarding working in China, and other experiences of surveillance by state security. Many foreign academics are reluctant to speak openly about their concerns, having invested their careers in having access to China, but Christopher Balding's piece does track with what many others are saying behind closed doors.”
“In recent years, we've seen what amounts to a forcible closing of the Chinese mind,” Lim added. “Not only are there fewer academic exchanges, but recently we're even hearing of examples of Western textbooks and writings being censored in Chinese classrooms with sections blocked out. In the current climate, the kind of unspoken constraints placed upon academic research are making partnerships between Chinese and Western academics harder to manage. One cause of concern for Western academics is whether their actions -- or writings -- could cause trouble for Chinese colleagues or co-authors, and the burden of this responsibility sometimes causes Western academics to self-censor or temper their public behavior.”
Jonathan Sullivan, the director of the China Policy Institute at the University of Nottingham, in England, said that the situation has become “significantly tighter” across the board in China. 
But while he said the situation for Chinese academics specifically has deteriorated -- “criticism is much less tolerated and expressions of loyalty are becoming the norm” -- he added that “foreign academics are an insignificant part of this bigger picture.”
"Not to diminish the experiences of any foreign colleagues working in China, I’m sure there are individual situations that I would find intolerable, but conditions are much worse for Chinese citizens in academia and all other sectors," Sullivan said in an email. 
"If 'we' don’t like it 'we' can up and leave, as many academics, journalists, businesspeople etc. have done … The chances of a foreign academic being arrested or otherwise punished is low -- it is much more likely that if you upset the authorities you’ll be denied a work visa or your employer encouraged to make your life more difficult with extra teaching etc."
“I have noticed a hardening of some opinions (sometimes performative for others in the room), a reluctance among others to discuss certain topics and less enthusiasm for collaboration. ” 
Sullivan noted that the projects are on topics related to popular culture and politics, "so they involve some criticism but it's not highly sensitive." 
He also noted that his perspective comes from someone who visits China regularly but does not live or work there.

mardi 12 décembre 2017

China’s Cover-Up

When Communists Rewrite History
By Orville Schell

The Chinese Communist leader Mao Zedong’s “permanent revolution” destroyed tens of millions of lives. 
From the communist victory in 1949 in the Chinese Civil War, through the upheaval, famine, and bloodletting of the Great Leap Forward and the Cultural Revolution, until Mao’s death in 1976, the Chinese Communist Party (CCP) set segments of Chinese society against one another in successive spasms of violent class warfare. 
As wave after wave of savagery swept China, millions were killed and millions more sent off to “reform through labor” and ruination.
Mao had expected this level of brutality. 
As he once declared: “A revolution is neither a dinner party, nor writing an essay, painting a picture, or doing embroidery. It cannot be so refined, so leisurely, gentle, temperate, kind, courteous, restrained and magnanimous. A revolution is an insurrection, an act of violence by which one class overthrows another.”
Today, even experts on Chinese history find it difficult to keep track of all the lethal “mass movements” that shaped Mao’s revolution and which the party invariably extolled with various slogans. 
Mao launched campaigns to “exterminate landlords” after the Communists came to power in 1949; to “suppress counterrevolutionaries” in the early 1950s; to purge “rightists” in the late 1950s; to overthrow “capitalist roaders” during the Cultural Revolution in the late 1960s; and to “rectify” young people’s thinking by shipping them off to China’s poorest rural areas during the Down to the Countryside Movement in the late 1960s and early 1970s. 
The ideological rhetoric obscured the extremism of these official actions, through which the party permitted the persecution and liquidation of myriad varieties of “counterrevolutionary elements.” 
One of Mao’s most notable sayings was “the party commands the gun, and the gun must never be allowed to command the party.” 
Long after his death, his successors carried on in that tradition, most visibly during the Tiananmen Square massacre and the ensuing crackdown that the CCP carried out in response to peaceful protests in 1989, which led to untold numbers of dead and wounded.
Today, China is enjoying a period of relative stability. 
The party promotes a vision of a “harmonious society” instead of class struggle and extols comfortable prosperity over cathartic violence. 
Someone unfamiliar with the country might be forgiven for assuming that it had reckoned with its recent past and found a way to heal its wounds and move on.
Far from it. 
In fact, a visitor wandering the streets of any Chinese city today will find no plaques consecrating the sites of mass arrests, no statues dedicated to the victims of persecution, no monuments erected to honor those who perished after being designated “class enemies.” 
Despite all the anguish and death the CCP has caused, it has never issued any official admission of guilt, much less allowed any memorialization of its victims. 
And because any mea culpa would risk undermining the party’s legitimacy and its right to rule unilaterally, nothing of the sort is likely to occur so long as the CCP remains in power.

(RE)WRITTEN BY THE VICTORS
Despite its success in shepherding China’s economic development and rise to global power, the party remains insecure and thin-skinned, perhaps because its leaders are still so painfully aware of the party’s historical liabilities. 
The Central Propaganda Department—which, along with myriad other state organs, is tasked with censoring the media and making sure that all educational materials toe the party’s line—has sealed off entire areas of China’s past. 
Serious consequences flow from the manipulation of something as fundamental to a country’s identity as its historical DNA. 
Maintaining a “correct” version of history not only requires totalitarian controls but also denies Chinese the possibility of exploring, debating, understanding, and coming to terms with the moral significance of what has been done to them and what they have been induced to do to themselves and one another.
The task of “correcting” or erasing entire segments of a country’s past is costly and exhausting. 
An example of the lengths to which propaganda officials go has recently been brought to light by Glenn Tiffert, a China scholar at the University of Michigan. 
Through dogged sleuthing, he discovered that two digital archives—the China National Knowledge Infrastructure, which is connected to Tsinghua University, and the National Social Sciences Database, which is sponsored by the Chinese government—were missing the same group of 63 articles published between 1956 and 1958 by two Chinese-language academic law journals. 
These articles had long been available via both archives, only to inexplicably disappear. (Tiffert is not sure when the erasure occurred.) 
His study revealed that certain scholars, especially those who had been influenced by the West and had run afoul of the party’s ever-changing political lines, almost always had their articles deleted. 
At the same time, certain topics, such as “the transcendence of law over politics and class, the presumption of innocence, and the heritability of law,” and certain terminology, such as the phrases “rule of law” and “rightist elements,” also seemed to serve as cause for removal. 
Tellingly, there was a striking uniformity in the writers and topics that were excised.

Students attend a history course at the China Executive Leadership Academy of Pudong in Shanghai, September 2012.

Except for a few institutions abroad that maintain hard-copy collections of such journals, those articles are now unavailable to Chinese citizens and to the world. 
Such manipulation is made all the more pernicious owing to the fact that “even sound research practice may offer no defense,” as Tiffert points out. 
“Perversely, the more faithful scholars are to their censored sources, the better they may unwittingly promote the biases and agendas of the censors, and lend those the independent authority of their professional reputations.”
As the astrophysicist and dissident Chinese intellectual Fang Lizhi wrote in 1990 of such state-sponsored assaults on China’s historical memory:
The policy’s aim is to force the whole of society to forget its history, and especially the true history of the Chinese Communist party itself...
In an effort to coerce all of society into a continuing forgetfulness, the policy requires that any detail of history that is not in the interests of the Chinese Communists cannot be expressed in any speech, book, document, or other medium.
Fang wrote those words just after the Tiananmen Square massacre, when he was trapped in the U.S. embassy and the CCP was undertaking one of its most audacious efforts at historical erasure—namely, wiping away all traces of the crimes it had just committed from archives, books, and electronic media. 
So successful was this censorship that, in 2004, the Chinese dissident and future Nobel laureate Liu Xiaobo lamented that even though “the people of Mainland China have suffered some unimaginable catastrophes after the Communist accession to power, the post-Tiananmen generation has no deep impression of them and lacks firsthand experience of police state oppression.” 
Ten years later, the Chinese artist Ai Weiwei put it more bluntly: “Because there is no discussion of these events, Chinese still have little understanding of their consequences. Censorship has in effect neutered society, transforming it into a damaged, irrational, and purposeless creature.”
In this way, China has become “the People’s Republic of Amnesia,” in the words of Louisa Lim, a former BBC and NPR correspondent in Beijing, who used that phrase as the title of her 2014 book. As she wrote, “A single act of public remembrance might expose the frailty of the state’s carefully constructed edifice of accepted history, scaffolded in place over a generation and kept aloft by a brittle structure of strict censorship, blatant falsehood and willful forgetting.”

A man stands in front of a column of army tanks on Changan Avenue east of Tiananmen Square in Beijing, June 1989.

THE STONES SPEAK

But is it really better for societies or communities to collectively remember traumatic periods of their histories? 
Might not such retrospection reopen old wounds and revive old, murderous struggles?
The CCP would like the people it rules—and the rest of the world—to embrace such logic and accept that evasion of the brutal truth about the past is the best route to healing.
An entirely different school of thought grew out of the German experience of facing up to the crimes of the Nazis. 
The man who devised the road map for the expiation of German guilt was the philosopher and psychoanalyst Karl Jaspers, who in 1945 gave a series of influential lectures at the University of Heidelberg that were later collected in a book titled The Question of German Guilt. 
Even though what happened under Adolf Hitler precipitated something “like a transmutation of our being,” said Jaspers, Germans were still “collectively liable.” 
All of those “who knew, or could know”—including those “conveniently closing their eyes to events or permitting themselves to be intoxicated, seduced, or bought with personal advantage, or obeying from fear”—shared responsibility. 
The “eagerness to obey” and the “unconditionality of blind nationalism,” he declared, constituted “moral guilt.” 
Human beings are, said Jaspers, responsible “for every delusion to which we succumb.” 
He put his faith in healing through “the cultivation of truth” and “making amends,” a process he believed had to be completely free from any state-sponsored propaganda or manipulation.

Security cameras in front of the giant portrait of former Chinese Chairman Mao Zedong in Tiananmen Square, Beijing, November 2012.
“There can be no questions that might not be raised,” he declared, “nothing to be fondly taken for granted, no sentimental and no practical lie that would have to be guarded or that would be untouchable.” 
In Jaspers’ view, only through historical awareness could Germans ever come to terms with their past and restore themselves to a semblance of moral and societal health.
Jaspers’ approach owed a great deal to psychoanalytic theory and the work of Sigmund Freud
For Freud, understanding a patient’s past was like “excavating a buried city,” as he wrote in 1895. Indeed, he was fond of quoting the Latin expression saxa loquuntur: “The stones speak.” 
Such mental archaeology was important to Freud because he believed that a repressed past inevitably infected the present and the future with neuroses unless given a conscious voice to help fill in what he called “the gaps in memory.” 
In this sense, history and memory were Freud’s allies and forgetting was his enemy.
Mao, too, was fascinated by history, but he took a far more utilitarian view of it: for him, the historical record served chiefly to fortify his own reductive theories. 
Independent historians engaging in free-form explorations of the past represented a profound threat, and during Mao’s reign, many of them were dismissed from their official positions, charged as “counterrevolutionaries,” sent off for “thought reform” at labor camps, and in all too many cases persecuted to death.

DANGEROUS HISTORY

Given his own neo-Maoist predilections, it is hardly surprising that Xi Jinping also views independent scholars as dangerous progenitors of what Chinese state media have termed “historical nihilism.” 
In 2015, the People’s Liberation Army Daily warned that China “must be [on] guard” against such malefactors because they are now “spreading from the academic realm into online culture,” where “capricious ideas are warping historical thoughts and leading discourse astray.”
Tiffert spells out what it means when Chinese historians run afoul of party censors. 
They confront, he writes, “a sliding scale of penalties, including harassment by the authorities, closure of publications and online accounts, humiliating investigations into personal affairs, business activities and tax status, and ultimately unemployment, eviction, and criminal prosecution.” 
Last year, Chinese civil law was even amended to punish “those who infringe upon the name, likeness, reputation, or honor of a hero, martyr, and so forth, harming the societal public interest,” writes Tiffert, which explains why “previously outspoken intellectuals and activists are going silent.”
Tiffert also reports that “the Chinese government is leveraging technology to quietly export its domestic censorship regime abroad, by manipulating how observers everywhere comprehend its past, present, and future.” 
Indeed, last summer, Beijing hectored Cambridge University Press into sanitizing the digital archive of The China Quarterly, an important English-language academic journal, by removing over 300 articles the CCP found objectionable from its Chinese search function. (The publisher reversed its decision days after a number of news outlets reported on its initial capitulation.) 
Then, last November, Springer Nature, the publisher of such titles as Nature and Scientific American, eliminated from its Chinese websites a large number of articles that included politically sensitive references—more than 1,000 articles in all, according to the Financial Times.
China’s leaders seem to believe they can escape the party’s compromised history without penalty, at least in the short run—and they might be right. 
After all, China’s economic progress and emergence as a significant global power do not appear to have been impeded, so far. 
The CCP is wagering that it can undo, or at least dodge, the long-term damage it has inflicted on the Chinese people by simply erasing history.
But hiding the crimes of the past sits uneasily alongside the CCP tenet that there is no such thing as “universal values,” which are invariably associated with democracy and human rights and which the party casts as something foisted on China by the West as a way to undermine China’s authoritarian one-party system. 
According to this view, human beings have no common bias against such things as persecution, forced confession, torture, and violent repression; no basic shared yearning for liberty or for freedom of expression, assembly, and religion; and no desire to live in a world where wrongs can ultimately be righted.
If that were true, however, the party would have no reason to fear an honest accounting of the past. After all, if universal values do not exist, then Mao’s attacks on his critics and enemies do not represent grave transgressions. 
And yet the CCP goes to great lengths to hide the truth about those deeds—a contradiction that suggests something like a guilty conscience, or at least embarrassment at being exposed. 
If that is the case, then perhaps some future Chinese regime will have to find a way to acknowledge and even come to terms with the full dimensions of what the CCP has done to China.
For the foreseeable future, however, that seems unlikely.
In the wake of China’s Democracy Wall Movement of 1978–79, during which thousands of Beijingers gathered at an unprepossessing brick wall to hang political posters, deliver speeches, and hold political debates, Chinese writers began examining their country’s decades of political oppression. 
This writing came to be known as “investigative reportage” and “scar literature.” 
But such inquiries ended after 1989, and ever since Xi took office, in 2012, an ever-heavier shroud of censorship has cast China into an increasingly deep state of historical darkness. 
A recent study by the China Media Project, at the University of Hong Kong, searched 140 mainland Chinese publications for articles about the Cultural Revolution, a ten-year period during which countless millions of middle-class Chinese, intellectuals, and Western-trained professionals were persecuted and killed for having “bad class backgrounds.” 
The researchers found only three articles that dared delve into that decade in any detail. 
For publications to cover the subject more thoroughly “would mean running a foolish risk,” wrote the authors of the project’s report.
And even if such work were someday again welcomed in China, its impact might be less than dramatic, because so much has been suppressed and repressed. 
In the words of the dissident Liu: “Eyes kept too long in the darkness do not easily adapt to dazzling sunlight when it suddenly pours through a window.”